published texts

 
“Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960-66,” Journal of Musicology 38, no. 3 (2021): 261-295.

“Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960-66,” Journal of Musicology 38, no. 3 (2021): 261-295.

“If Beale Street Could Talk, what’d  be playing in the background? First notes on music, film, time and memory,” Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (New York: Bloomsbury Academic, 2020): 315-320.

If Beale Street Could Talk, what’d be playing in the background? First notes on music, film, time and memory,” Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (New York: Bloomsbury Academic, 2020): 315-320.

"Stan Douglas: The Producer--A Conversation with Kwami Coleman," Aperture 224 (Fall 2016): 68-77.

"Stan Douglas: The Producer--A Conversation with Kwami Coleman," Aperture 224 (Fall 2016): 68-77.


"Everyone's Creative: George E. Lewis and the Ubiquity of Improvisation," Teachers College Record 117, No. 10 (2015): 1-10. Copyright © Teachers College, Columbia University  0161-4681

"Everyone's Creative: George E. Lewis and the Ubiquity of Improvisation," Teachers College Record 117, No. 10 (2015): 1-10.
Copyright © Teachers College, Columbia University
0161-4681